(December 30, 1746 - August 4, 1816) was a French neoclassical painter. He was the son of the miniaturist François-Elie Vincent and studied under Joseph-Marie Vien. He travelled to Rome, where he won the Prix de Rome in 1768. From 1771 to 1775 he studied there at the Academie de France. In 1790 Vincent was appointed master of drawings to Louis XVI of France, and in 1792 he became a professor at the Academie royale de peinture et de sculpture in Paris. In 1800 he married the painter Adelaïde Labille-Guiard. Belisarius by François-Andre Vincent, painted 1776. He was a leader of the neoclassical and historical movement in French art, along with his rival Jacques-Louis David, another pupil of Vien. He was influenced by the art of classical antiquity, by the masters of the Italian High Renaissance, especially Raphael, and among his contemporaries, Jean-Honore Fragonard. He was one of the founder members of the Academie des beaux-arts part of the Institut de France and the successor to the Academie royale in 1795.   Related Paintings of Francois-Andre Vincent :. | Main Altar f | Westport Waterfront | Vertumnus and Pomona | Barmherzigkeit des Fra Martin de Vizcaya, Detail | Choice of Hercules between Virtue and Pleasure |
Related Artists:
Antoine Roux
1765-1835
Adrien Lavieille
(March 29, 1848, Montmartre - February 5, 1920, Chartres) was a French painter. Portrait of Adrien Lavieille in 1879, by his wife, Marie Adrien Lavieille. Oil on canvas (private collection).Son of the landscape painter Eugene Lavieille, and nephew of the wood engraver Jacques Adrien Lavieille, he was a painter of the country : near Paris, in Brittany, near Cancale and on the riverside of the Vilaine in the south of Rennes, in Touraine, at Saint-Jean-de-Monts in Vendee, where he was invited by a friend, the painter and engraver Auguste Lepere, around Vendôme where he sojourned in the home of his daughter, Andree Lavieille, so a painter, and of his son-in-law, the man of letters, Paul Tuffrau. He also painted in Montmartre, where he lived during his youthful days, and, as his father, at Moret-sur-Loing, near Fontainebleau. Parallelly to his painter's activities, Adrien Lavieille executed, during his life, for money's reasons, works of restoration and decoration : basilica Saint-Martin in Tours (where he worked with the painter Pierre Fritel), Palais de Justice of Rennes, Château de Vaux-le-Vicomte, Hôtel de Lauzun, quai d'Anjou in Paris. In 1878, he married the painter Marie Petit.
Pierre-Narcisse Guerin
(13 May 1774 - 6 July 1833) was a French painter. Guerin was born in Paris. A pupil of Jean-Baptiste Regnault, he carried off one of the three grands prix offered in 1796, in consequence of the competition not having taken place since 1793. In 1799, his painting Marcus Sextus (Louvre) was exhibited at the Salon and excited wild enthusiasm. Part of this was due to the subject - a victim of Sulla's proscription returning to Rome to find his wife dead and his house in mourning - in which an allusion was found to the turmoil of the French Revolution. Guerin on this occasion was publicly crowned by the president of the Institute, and went to Rome to study under Joseph-Benoît Suvee. In 1800, unable to remain in Rome on account of his health, he went to Naples, where he painted the Grave of Amyntas. In 1802 Guerin produced Phaedra and Hippolytus (Louvre); in 1810, after his return to Paris, he again achieved a great success with Andromache and Pyrrhus (Louvre); and in the same year also exhibited Cephalus and Aurora (Louvre) and Bonaparte and the Rebels of Cairo (Versailles). These paintings suited the popular taste of the First Empire, being highly melodramatic and pompously dignified. The Restoration brought to Guerin fresh honours; he had received from the first consul in 1803 the cross of the Legion of Honour, and in 1815 Louis XVIII named to the Academie des Beaux-Arts. His style changed to accord with popular taste. In Aeneas Relating to Dido the Disasters of Troy (Louvre), Guerin adopted a more sensuous, picturesque style. Guerin was commissioned to paint for the Madeleine a scene from the history of St Louis, but his health prevented him from accomplishing what he had begun, and in 1822 he accepted the post of director of the French Academy in Rome, which in 1816 he had refused. On returning to Paris in 1828, Guerin, who had previously been made chevalier of the order of St. Michel, was ennobled. He now attempted to complete Pyrrhus and Priam, a work which he had begun at Rome, but in vain; his health had finally broken down, and in the hope of improvement he returned to Italy with Horace Vernet. Shortly after his arrival at Rome Baron Guerin died, on the 6th of July 1833, and was buried in the church of La Trinite de Monti by the side of Claude Lorrain.